Only because you asked...
...please don't take any of this personally and appreciate these notes are purely my opinion and are not gospel.
The mix needs work. The intro synths sounds like they might be clipping/distorting. The two lines are fighting for space. May be worth experimenting with panning and stereo imaging. Give them their own space in the mix. Could be a character of the synth sound, but I would try to tame it.
Second, the snare is far too loud. Sharpening the attack with a transient master and having the reverb on send channel may help with space and volume. You'll get crack and space without having to push the signal too hard.
Bass could serve to be a bit beefier and rounder. Try doubling it with a sub-synth bass to get the depth without losing the timbre of the instrument you chose. It sounds fairly centred in the mix where it should be, there's just not enough gravity to it.
The synth line that comes in around 0:23 is nice, but gets obnoxious...quickly. May be worth adjusting the sustain/decay on the it to give it place to breathe. It's clearly the "main" instrument/line in the piece so sitting centre of the mix is smart. This extends from my point of the first two synths being spread out across the stereo spectrum.
With respect to the synths as a whole, some automation would serve to give some bounce, rhythm and organic moving elements. It could be as simple as having an envelope or LFO slightly modulate a filter cutoff. Have the Amp of the Synths side-chained to your drum elements. Even just playing with the volume automation could help to breathe some life into it.
Overall, interesting loop. I get a CHVRCHES and Naked and Famous type of vibe from it. Mid 2010's electronica. The main thing here is pulling out some more character and organic feel from the synths, giving each element its space to shine (remember, an instrument can shine by being supportive - not necessarily a lead!). Instrument selection is also important. Personally, I would have gone with a 909 type of drum palette versus acoustic reverb drums.
Lastly, and I'm just extrapolating from the loop. There are a LOT of notes going on. They are interesting and there's good music in there. If/when you re-work and expand this into a full song, play up the harmony layers, and use some longer sustained notes/chords. I can imagine a breakdown where you strip back the dynamics, have some shimmery/modulating synth pads that build back into the bouncy lead line.
Looking forward to hearing the finished product!
